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Comunicados de prensa

Julio 16, 2008 - Arnsberg (Germany)
Creative Rays of Light

Furniture for rooms full of clarity and width – the new décors from Interprint. The trend of the summer is as clear as sunlight, and in furniture decoration things are looking bright.

Everything on white. Hardly any other colour is as effective, which is why furniture design currently prefers to present itself in this fine, refreshing colour. The new Interprint collection shows how this colour trend can be transferred onto wood. From almost pure white, to beige shades, to nuances of honey, the décors on fronts and surfaces tend to be rather light. Even striking woods such as core beech and hazelnut make their tribute and give off more lightness than before.

Oak the all-rounder
The classic oak is enormously versatile and is very compatible with lots of different trends. “Banstead Oak” for example, is rich in contrast without producing an impression of restlessness. The narrow grain and the striking negative pores are refreshing to the eye. From light beige to honey-coloured, the new Interprint pattern unfolds a beautiful play of colours. A decorative pattern for everyone looking for a combination of tradition and modern form when choosing furniture.

Another variant in the oak spectrum is “Salina Oak”. Narrow flower shapes, slight reflection, and a balanced plank effect bring elegance to the structure. The striking pore strengthens the solid wood character of the oak. In bright and medium brown shades, it looks brilliant on fronts.

Highlights with white effects
One can never become tired of seeing décor patterns with white effects, because they always give a fresh look to furniture surfaces. “White Washed Wood” is a striped, brushed pinewood, that has been elutriated with a chalk effect. On furniture surfaces, the décor shows clear pores, high colour quality and lively delineation of the elutriated structures.

Also following the trend toward light colours is the new maple pattern “Samira Maple”. Overall, it looks restrained due to the filigree grain and fine pores. But the sophistication lies in the detail: cut-in flowers, the dark beginnings of branches, and reflections give the surface visual structure. The dynamically natural impression is created not only by the beautiful interplay of maple colours, but also due to the friendly colours. From the almost white maple shade to medium nuances, the décor provides light and lightness in living spaces.

Striking harmony: core beech and hazelnut
Two-dimensional core parts that flow into classic beech structures characterise “Rosemoor Beech”. This combination produces an extraordinarily harmonious impression that is not too strongly dominated by core parts. From living and sleeping areas to the kitchen, the pattern is versatile in application and impresses with its unintrusive, timeless elegance.

The hazelnut décor “Clifton Walnut” is predestined for high-quality modern furniture construction. Its natural brilliance of colour arises through an alternation of light and medium hazelnut shades. The clear pores go together with the open flower parts to make an elegant overall impression. The incorporation of mother of pearl makes the look even softer and finer.

Retro-look with stone and glass
A variety of stone elements come together in “Botticino” to form a structure that is reminiscent of the design of the 60s. The grains and stones, embedded in a fine chalk, are between two millimetres and five centimetres in size. “Botticino” is particularly well suited to pepping up worktops with its retro charm.

“Coobers Cube“ - this name reminds one of the opal city of Coober Pedy in Australia, but it is glass bricks, not precious stones from the outback, that give the Interprint décor its glamorous appearance. Refraction and changing colours produce an interesting mosaic-like structure. “Coobers Cube” gives a creative, new look at structures and thus epitomises the “Go closer!” aspect of the Interprint design philosophy.